Resurrection

By the time the next tsunami hit, at dawn, Father Flanagan's main concern was for the nuns.  Their children's mission, on another island miles away, was at risk.  But he couldn't help them now, not at this moment, not as the transforming sky took all his breath away.  His eyes had never seen such color and effulgence!  Yet he didn't even bother thanking God.  He just loaded up his boat to make the crossing and, in doing so, mouthed two short prayers and sent them heavenward.  The first was for the safety of the sisters and his voyage.  The second was a plea for all humanity.

 
Twenty-seven miles across the strait, the dozen Sisters of Abundant Mercy began their day as well.  Their mission house, providentially situated high and dry above the bay, was spared.  Occasional tsunamis were to be expected; the native islanders had taught them so.  But this time there were other troubling signs.  They had heard strange, deep rumbling noises and watched the sky change color over several days.  Some considered it an omen, as did the villagers before they fled to higher ground.
 
The sisters went about their work routinely.  They prepared a simple breakfast for the children and made a pot of coffee for themselves, their only luxury.  Father Flanagan would want some too when he arrived.  With luck, he'd bring another bag of beans for them, along with crates of powdered milk and bags of rice and flour, salt and sugar, and tins of soggy vegetables.  His monthly visits were a pleasant respite from their toil, a rare occasion to hear mass, and their only contact with the outside world.
 
After the noonday meal, the sisters scanned the horizon for his boat.  Sister Margaret, who was the youngest, saw it first and rang the bell.  Happy children came, those strong enough to walk, and climbed onto the mission house's porch to watch.  They crossed themselves and fingered rosary beads.  The children all loved Father Flanagan.  He'd soon dole out candies to them, as he always did.
 
But he was oddly silent when he moored his boat.  Sister Margaret observed this right away.  "God bless you, Father," she said.  "You look so very tired.  Perhaps you had a difficult crossing.  Please come inside and join us for fresh coffee we have made.”
 
"I sort of gathered that you didn't know," said Father Flanagan, not even mentioning the coffee.  "If you would only have a short-wave radio…"
 
"But our devotion here is to God's work.  We don't much need the outside world—except for you, of course."  
 
"Well, anyway, I brought a radio and extra batteries.  You can hear about it on the BBC.”
 
"About what?" asked Sister Margaret with a look of earnest curiosity.
 
And Father Flanagan said, "About the war.”
 
"What war?”
 
"Two days ago it started.  Full nuclear.  First India and Pakistan, then China, then America, and then the Russians, pulling out all stops.  Major cities of the world are now destroyed.  New York and Moscow have been vaporized, apparently.  Not London, for whatever reason, though.  The BBC's still on.”
 
"God help us!" Sister Margaret cried out loud.  Then, falling to her knees, she asked.  "Will this be how it ends?”
 
Father Flanagan just shook his head.  "I think it best we go inside to hear the latest, and keep this from the children for a while."  Sister Margaret, her habit flying in the breeze, sprinted to the mission house to alert Mother Superior and gather all the other nuns.  Father Flanagan followed with the radio tucked beneath his arm and, on his way, tossed candies to the kids.
 
The short wave didn't pick up anything at first.  But reception did improve towards evening.  The BBC could not be found, but there was some Spanish-language news.  Sister Claudia, who was Chilean, translated for the others.  The broadcast said there were survivors, but their lives were under constant threat of radiation poisoning, thirst and famine, plagues, and murder at the hands of lawless mobs.  Even cannibalism had been rumored.  But the actuality was even worse.  The warring countries had turned to biologicals to kill each other's people.  Quite possibly the earth's whole population was already doomed.  "We don't quite know yet," the announcer added.  "So, as a precaution, this broadcast has been prerecorded and will repeat until our generator runs out of fuel."  Sister Claudia stopped translating at this point; she could no longer speak or even pray.  All the other nuns were terrified by what they'd heard.  Perhaps their island here, because of its remoteness, was now the safest place on earth.
 
Father Flanagan calmly put his collar on and offered mass.  Afterwards, the nuns and children helped him bring things in from his boat.  In doing so, they brushed against the venomous tentacles of jellyfish, leaving painful welts and open sores.  They recovered slowly after several days.  But the outside world would not recover.  Millions upon millions more had died, the radio said.  Mumbai.  Cairo.  Frankfurt.  Seoul.  Los Angeles.  All silent.  A station in Tasmania said scant survivors might persist in parts of Africa and South America.  Then, after a few more days, all broadcasts stopped.  No word of anything.  No more deep rumbling from the ocean.  No aircraft lights or contrails in the iridescent sky.  No ships on the horizon.  No human life but on their little island, it appeared.
 
Then, one by one, the native islanders died off.  But Father Flanagan and the nuns did not succumb.  Were they all immune somehow, or was God protecting them?  Young Sister Mary Frances, who was by nature outspoken, asked the others to reconsider their vocations if the world should end.  What if there were no more people left for them to serve?   For the Sisters of Abundant Mercy, what would be God's charge then?
 
"To pray," said Father Flanagan solemnly.
 
But Sister Mary Frances gaped and laughed at him—a cackling, mocking laugh—and said that God might have a better plan.  "What if..." she began to muse aloud, and repeated several times theatrically, "What if?  Has this thought not occurred to you?"  But Father Flanagan failed to see what she'd envisioned.
 
What they'd have to do, this priest and these twelve nuns, who might well be the only people left, would be to reproduce and thereby repopulate the earth.  That's what Sister Mary Frances had in mind.  Father Flanagan sneered at her; called her impetuous.  He said that carnal knowledge was a sin no matter what, and reminded them that they had vowed celibacy.  Sister Claudia countered that she and Sister Margaret, the only novices among them, had not yet taken final vows.  Sister Mary Frances then spoke up to say, "But even both of you could never bear sufficient children to preserve the race.  Biologically, it isn't possible.  Still, Father Flanagan is a healthy male and most of us are still of reproductive age.  Let's use our imaginations here, and wisely.  God has given us a mighty challenge here.  We can solve it if we work together.
 
"Minutes passed where no one said a word addressing this directly, but every eye was turned to Mother Superior in search of guidance.  Prayers in Latin and in English poured from every mouth at breakneck speed.  Finally, Sister Magdalene gathered up the nerve to ask, "How would you instruct us, Reverend Mother?
 
”Mother Superior did not answer, not at first, so Father Flanagan took the floor and stated flatly, "We are already instructed on that topic.  It is original sin.”
 
But Mother Superior said, "I do not accept that,  necessarily.  What if God has brought this on to test our faith?  'Original' sin may well be secondary now.  I think young Sister Mary Frances has a point.  Now I would like to hear your views.”
 
The nuns were not accustomed to being asked for their opinions, but some spoke readily.  Sister Helen recalled from studying biology that more participants meant a healthier gene pool.  Sister Ursula thought they could release themselves from vows if that was their concern; that God would forgive them if they chose unwisely.  Sister Petra added, "Yes, and since there's no more Rome to guide us on these matters, whatever choice each sister makes can only be enlightened from within.”
 
While this exchange took place Father Flanagan gazed fretfully at the floor, not even praying.  Mother Superior, ignoring him, asked Sister Petra what her enlightened choice might be.
 
"I would pray, then probably go with Sister Mary Frances's plan," she said.  "Now please forgive me, Reverend Mother, but how would you decide?”
 
This elicited a little chuckle and a tender smile.  Mother Superior placed a gentle hand on Sister Petra's arm and kissed her cheek.  "My age does not allow that option, dear," she said.  "I have already all the joys of motherhood.  But if I were young again, and since you asked, my choice would be to sacrifice myself, if such a need arose, for the sake of God's domain.”
 
Father Flanagan heard every word of this but still was unconvinced.  He seemed more preoccupied than torn, a man of little doubt—for now.  But he remained an obstacle.  So Sisters Margaret and Mary Frances, fearing he might be plotting an escape, stole some matches from the kitchen and set his boat on fire.

***

Twenty, thirty years have passed since then.  Father Flanagan now lies buried in the island's sandy ground; Mother Superior as well.  The nuns have given birth to many  boys and girls, some grown and having children of their own.

 

Only the oldest have direct memory of their forebear, Father Flanagan, but all revere him as their spiritual father.  To help celebrate his existence, Sister Helen composed a song of adoration that everyone sings around his grave each time the moon is full.

 

There are some fifty people on the tiny island now, more than it can comfortably support.  Sister Margaret, now very old and very wise, has taken charge.  She summons everyone to the sprawling mission house, now fallen into disrepair, for an important meeting.  She says this is a pivotal time; that action must be taken; that humankind's survival is again at stake.

 

The nuns will stay on the island but all their offspring have to leave.  She commands them to build canoes with sails and venture forth.  Sail ever north, she says, beyond the known horizon, where other islands will be found, some large and verdant and hospitable—and beyond those islands, other lands so vast that even mighty oceans can't surround them.  These are known as continents, she explains.  She remembers seeing them on things called maps.  The offspring can't imagine this but heed her wish.

 

More time passes, another twenty, thirty years; still but a heartbeat in the timescale of the universe.  By now the offspring have happened on, and settled in, new lands.  They have further multiplied and scattered into tribes.  Only the grizzled elders still recall the island and the nuns.  Not a one of them remembers Father Flanagan.  But he still lives on in ritual stories told and pantomimed around their cooking fires.  He is now the godhead seed of their creation myth, the provider of their everything.

 

When the full moon comes, the men will hoist up spears and burning sticks to chant his name while wearing masks and dancing to the beat of drums.

 
 

© Giles Selig 2020

By the time the next tsunami hit, at dawn, Father Flanagan's main concern was for the nuns.  Their children's mission, on another island miles away, was at risk.  But he couldn't help them now, not at this moment, not as the transforming sky took all his breath away.  His eyes had never seen such color and effulgence!  Yet he didn't even bother thanking God.  He just loaded up his boat to make the crossing and, in doing so, mouthed two short prayers and sent them heavenward.  The first was for the safety of the sisters and his voyage.  The second was a plea for all humanity.

 
Twenty-seven miles across the strait, the dozen Sisters of Abundant Mercy began their day as well.  Their mission house, providentially situated high and dry above the bay, was spared.  Occasional tsunamis were to be expected; the native islanders had taught them so.  But this time there were other troubling signs.  They had heard strange, deep rumbling noises and watched the sky change color over several days.  Some considered it an omen, as did the villagers before they fled to higher ground.
 
The sisters went about their work routinely.  They prepared a simple breakfast for the children and made a pot of coffee for themselves, their only luxury.  Father Flanagan would want some too when he arrived.  With luck, he'd bring another bag of beans for them, along with crates of powdered milk and bags of rice and flour, salt and sugar, and tins of soggy vegetables.  His monthly visits were a pleasant respite from their toil, a rare occasion to hear mass, and their only contact with the outside world.
 
After the noonday meal, the sisters scanned the horizon for his boat.  Sister Margaret, who was the youngest, saw it first and rang the bell.  Happy children came, those strong enough to walk, and climbed onto the mission house's porch to watch.  They crossed themselves and fingered rosary beads.  The children all loved Father Flanagan.  He'd soon dole out candies to them, as he always did.
 
But he was oddly silent when he moored his boat.  Sister Margaret observed this right away.  "God bless you, Father," she said.  "You look so very tired.  Perhaps you had a difficult crossing.  Please come inside and join us for fresh coffee we have made.”
 
"I sort of gathered that you didn't know," said Father Flanagan, not even mentioning the coffee.  "If you would only have a short-wave radio…"
 
"But our devotion here is to God's work.  We don't much need the outside world—except for you, of course."  
 
"Well, anyway, I brought a radio and extra batteries.  You can hear about it on the BBC.”
 
"About what?" asked Sister Margaret with a look of earnest curiosity.
 
And Father Flanagan said, "About the war.”
 
"What war?”
 
"Two days ago it started.  Full nuclear.  First India and Pakistan, then China, then America, and then the Russians, pulling out all stops.  Major cities of the world are now destroyed.  New York and Moscow have been vaporized, apparently.  Not London, for whatever reason, though.  The BBC's still on.”
 
"God help us!" Sister Margaret cried out loud.  Then, falling to her knees, she asked.  "Will this be how it ends?”
 
Father Flanagan just shook his head.  "I think it best we go inside to hear the latest, and keep this from the children for a while."  Sister Margaret, her habit flying in the breeze, sprinted to the mission house to alert Mother Superior and gather all the other nuns.  Father Flanagan followed with the radio tucked beneath his arm and, on his way, tossed candies to the kids.
 
The short wave didn't pick up anything at first.  But reception did improve towards evening.  The BBC could not be found, but there was some Spanish-language news.  Sister Claudia, who was Chilean, translated for the others.  The broadcast said there were survivors, but their lives were under constant threat of radiation poisoning, thirst and famine, plagues, and murder at the hands of lawless mobs.  Even cannibalism had been rumored.  But the actuality was even worse.  The warring countries had turned to biologicals to kill each other's people.  Quite possibly the earth's whole population was already doomed.  "We don't quite know yet," the announcer added.  "So, as a precaution, this broadcast has been prerecorded and will repeat until our generator runs out of fuel."  Sister Claudia stopped translating at this point; she could no longer speak or even pray.  All the other nuns were terrified by what they'd heard.  Perhaps their island here, because of its remoteness, was now the safest place on earth.
 
Father Flanagan calmly put his collar on and offered mass.  Afterwards, the nuns and children helped him bring things in from his boat.  In doing so, they brushed against the venomous tentacles of jellyfish, leaving painful welts and open sores.  They recovered slowly after several days.  But the outside world would not recover.  Millions upon millions more had died, the radio said.  Mumbai.  Cairo.  Frankfurt.  Seoul.  Los Angeles.  All silent.  A station in Tasmania said scant survivors might persist in parts of Africa and South America.  Then, after a few more days, all broadcasts stopped.  No word of anything.  No more deep rumbling from the ocean.  No aircraft lights or contrails in the iridescent sky.  No ships on the horizon.  No human life but on their little island, it appeared.
 
Then, one by one, the native islanders died off.  But Father Flanagan and the nuns did not succumb.  Were they all immune somehow, or was God protecting them?  Young Sister Mary Frances, who was by nature outspoken, asked the others to reconsider their vocations if the world should end.  What if there were no more people left for them to serve?   For the Sisters of Abundant Mercy, what would be God's charge then?
 
"To pray," said Father Flanagan solemnly.
 
But Sister Mary Frances gaped and laughed at him—a cackling, mocking laugh—and said that God might have a better plan.  "What if..." she began to muse aloud, and repeated several times theatrically, "What if?  Has this thought not occurred to you?"  But Father Flanagan failed to see what she'd envisioned.
 
What they'd have to do, this priest and these twelve nuns, who might well be the only people left, would be to reproduce and thereby repopulate the earth.  That's what Sister Mary Frances had in mind.  Father Flanagan sneered at her; called her impetuous.  He said that carnal knowledge was a sin no matter what, and reminded them that they had vowed celibacy.  Sister Claudia countered that she and Sister Margaret, the only novices among them, had not yet taken final vows.  Sister Mary Frances then spoke up to say, "But even both of you could never bear sufficient children to preserve the race.  Biologically, it isn't possible.  Still, Father Flanagan is a healthy male and most of us are still of reproductive age.  Let's use our imaginations here, and wisely.  God has given us a mighty challenge here.  We can solve it if we work together.
 
"Minutes passed where no one said a word addressing this directly, but every eye was turned to Mother Superior in search of guidance.  Prayers in Latin and in English poured from every mouth at breakneck speed.  Finally, Sister Magdalene gathered up the nerve to ask, "How would you instruct us, Reverend Mother?
 
”Mother Superior did not answer, not at first, so Father Flanagan took the floor and stated flatly, "We are already instructed on that topic.  It is original sin.”
 
But Mother Superior said, "I do not accept that,  necessarily.  What if God has brought this on to test our faith?  'Original' sin may well be secondary now.  I think young Sister Mary Frances has a point.  Now I would like to hear your views.”
 
The nuns were not accustomed to being asked for their opinions, but some spoke readily.  Sister Helen recalled from studying biology that more participants meant a healthier gene pool.  Sister Ursula thought they could release themselves from vows if that was their concern; that God would forgive them if they chose unwisely.  Sister Petra added, "Yes, and since there's no more Rome to guide us on these matters, whatever choice each sister makes can only be enlightened from within.”
 
While this exchange took place Father Flanagan gazed fretfully at the floor, not even praying.  Mother Superior, ignoring him, asked Sister Petra what her enlightened choice might be.
 
"I would pray, then probably go with Sister Mary Frances's plan," she said.  "Now please forgive me, Reverend Mother, but how would you decide?”
 
This elicited a little chuckle and a tender smile.  Mother Superior placed a gentle hand on Sister Petra's arm and kissed her cheek.  "My age does not allow that option, dear," she said.  "I have already all the joys of motherhood.  But if I were young again, and since you asked, my choice would be to sacrifice myself, if such a need arose, for the sake of God's domain.”
 
Father Flanagan heard every word of this but still was unconvinced.  He seemed more preoccupied than torn, a man of little doubt—for now.  But he remained an obstacle.  So Sisters Margaret and Mary Frances, fearing he might be plotting an escape, stole some matches from the kitchen and set his boat on fire.

***

Twenty, thirty years have passed since then.  Father Flanagan now lies buried in the island's sandy ground; Mother Superior as well.  The nuns have given birth to many  boys and girls, some grown and having children of their own.

 

Only the oldest have direct memory of their forebear, Father Flanagan, but all revere him as their spiritual father.  To help celebrate his existence, Sister Helen composed a song of adoration that everyone sings around his grave each time the moon is full.

 

There are some fifty people on the tiny island now, more than it can comfortably support.  Sister Margaret, now very old and very wise, has taken charge.  She summons everyone to the sprawling mission house, now fallen into disrepair, for an important meeting.  She says this is a pivotal time; that action must be taken; that humankind's survival is again at stake.

 

The nuns will stay on the island but all their offspring have to leave.  She commands them to build canoes with sails and venture forth.  Sail ever north, she says, beyond the known horizon, where other islands will be found, some large and verdant and hospitable—and beyond those islands, other lands so vast that even mighty oceans can't surround them.  These are known as continents, she explains.  She remembers seeing them on things called maps.  The offspring can't imagine this but heed her wish.

 

More time passes, another twenty, thirty years; still but a heartbeat in the timescale of the universe.  By now the offspring have happened on, and settled in, new lands.  They have further multiplied and scattered into tribes.  Only the grizzled elders still recall the island and the nuns.  Not a one of them remembers Father Flanagan.  But he still lives on in ritual stories told and pantomimed around their cooking fires.  He is now the godhead seed of their creation myth, the provider of their everything.

 

When the full moon comes, the men will hoist up spears and burning sticks to chant his name while wearing masks and dancing to the beat of drums.

 
 

© Giles Selig 2020

Narrated by Giles Selig.

Narrated by Giles Selig.

POST RECITAL

Talk Icon

TALK

BR: Hello Giles. Welcome back to the Strange Recital.
 
GS: Now becoming even stranger...
 
BR: Yeah.
 
TN: Your second time here—we’re taking another slanted look at a part of the culture. Last time it was the writing and publishing world, this time the Catholic church… which may be a… a little more sensitive. Do you think we’ll hear from Rome?
 
GS: Well I'd like to think so. The story raises an interesting question. What the nuns decide is arguably moral but not doctrinaire. I'd love to see how a theologian might construe it.
 
BR: Yeah, I would welcome the opportunity to discuss this story with the Pope…
 
TN: I’m sure you would.
 
BR: Yeah… and the dilemma it proposes. Would his response be more like Father Flanagan’s or like the nuns?
 
GS: Pope Francis would be closer to the nuns. More traditional Popes would be more like Father Flanagan.
 
BR: Yeah in fact, a case could be made that the most god-like thing a priest can do is to be an actual father—an act of creation. And your story takes it to its logical conclusion… the biological father becomes the deity of the new human race.
 
TN: Of course, it appears to be a human race that’s heading down the same path of patriarchy that we’ve gone down. The white male supreme being. Or maybe the nuns will rise up into the mythology as a tribe of goddesses, and save the civilization from repeating the same fate.
 
BR: Yeah.
 
GS: You know I'd not considered that, but it's another option. Some of the offspring had strong, human memories of the nuns—but not of Father Flanagan, who exists in hearsay as the only male adult that any of them might remember. His remoteness—together with his masculinity gave him mythic potential. 
 
BR: Dare I ask… were you raised Catholic? Could there be a hint of rebellion here? Or if not, what inspired you to write this story?
 
GS: No I’m not Catholic—not raised Catholic, but the paradoxes of rigid doctrine give one many things to think about. Resurrection is but one example. Right now I'm working on the story of a priest who, as an act of kindness, adopts a foul-mouth talking parrot. What are the implications of that?
 
TN: Fuck Knows… but, you know it’s interesting that this is a post-apocalyptic story but it’s not dystopian, which is good since dystopia is so common in stories these days. But it’s not exactly utopian either. 
 
BR: It’s not? That island life sounds pretty good to me.
 
TN: A utopia is typically more planned, and the story doesn’t focus on that. If it’s not dystopian or utopian, what would you call it, Giles?
 
GS: Plausible.
 
Laughter
 
BR: Yeah… Well I think I’m having a paradise fantasy.
 
TN: Maybe you should keep that to yourself. Giles, I know you’ve written quite a few short stories. Would you say that the sort of humorous irreverence in this story is a common attribute of your work? 
 
GS: Well I don't mind sticking my finger in religion's eye when warranted. Conventions should be challenged, and viewing them from outside our presumed reality is both an effective and a polite way of doing this—in other words, through fiction.
 
BR: Yeah
 
TN: Yeah, yeah. It’s probably good for the world to have its serious institutions undermined like you do in this story. But on the Strange Recital, saving the world is not really our mission. Is it yours?
 
GS: To save the world is maybe too ambitious. I just want to make my readers think.  
 
BR: Well I keep coming back to Father Flanagan. I’m particularly interested in what happened to his psychology outside the frame of the story… once he started having a lot of sex with a variety of women, year after year, he had to have undergone a fundamental transformation in his belief system. He might have become a real libertine! 
 
GS: He was outnumbered by the sisters and compelled to do an unfamiliar duty, so he acquiesced. Eventually he saw it was the moral choice; to take on a different kind of fatherhood.   We don't know what kind of parent he turned out to be. He probably set a good example but stayed emotionally distant from his offspring.   
 
BR: Yeah, that makes sense. You know I hope all those religious folks in your story woke up and got some gratitude about the fact that they could still have a relationship with the divine as they defined it, and also experience the pleasures of the body. 
 
TN: Brent seems to have a one-track mind today Giles. Yeah… What about your vision of a nuclear holocaust wiping out the population… do you think that’s the track we’re on? Are we doomed?
 
GS: Having grown up in the Cold War era, I think we were amazingly lucky. Between two major superpowers, mutually assured destruction actually worked as a deterrent. Today, with more and smaller countries arming, there are more ways for things to go wrong. Yet the biggest risks may not be nukes but things like cyberwar, environmental collapse, pandemics, politics etc.
 
TN: Yeah, yeah… and all those old, obsolete weapons. 
 
BR: Yeah
 
TN: Anyway, does your story imply that there might be an endless repeating cycle of the death and resurrection of human civilization—it’s happened before, it will happen again?
 
GS: Depends on the catastrophe. Unless the Earth is struck by a humungous asteroid or something, it's hard to imagine everybody dying right away. There should be isolated pockets of survivors to eventually repopulate the planet, as in this story.  A new society is born and we are witnesses.  The chanting and the drums are not the end but a beginning. Even a new religion, it appears, has started to assert itself.  
 
BR: Yeah well… do we want that? That’s all we have time for. Giles, thanks for contributing your story to The Strange Recital.
 
TN: And for coming back to our studio for this abuse.
 
GS: ... And to you for curating The Strange Recital. It's an honor to participate.
 
BR: Drums and dancing around a fire… I’m ready to go there right now.
 
TN: A world without podcasts? Then we couldn’t have all this fun. 
 
BR: Yeah…

BR: Hello Giles. Welcome back to the Strange Recital.
 
GS: Now becoming even stranger...
 
BR: Yeah.
 
TN: Your second time here—we’re taking another slanted look at a part of the culture. Last time it was the writing and publishing world, this time the Catholic church… which may be a… a little more sensitive. Do you think we’ll hear from Rome?
 
GS: Well I'd like to think so. The story raises an interesting question. What the nuns decide is arguably moral but not doctrinaire. I'd love to see how a theologian might construe it.
 
BR: Yeah, I would welcome the opportunity to discuss this story with the Pope…
 
TN: I’m sure you would.
 
BR: Yeah… and the dilemma it proposes. Would his response be more like Father Flanagan’s or like the nuns?
 
GS: Pope Francis would be closer to the nuns. More traditional Popes would be more like Father Flanagan.
 
BR: Yeah in fact, a case could be made that the most god-like thing a priest can do is to be an actual father—an act of creation. And your story takes it to its logical conclusion… the biological father becomes the deity of the new human race.
 
TN: Of course, it appears to be a human race that’s heading down the same path of patriarchy that we’ve gone down. The white male supreme being. Or maybe the nuns will rise up into the mythology as a tribe of goddesses, and save the civilization from repeating the same fate.
 
BR: Yeah.
 
GS: You know I'd not considered that, but it's another option. Some of the offspring had strong, human memories of the nuns—but not of Father Flanagan, who exists in hearsay as the only male adult that any of them might remember. His remoteness—together with his masculinity gave him mythic potential. 
 
BR: Dare I ask… were you raised Catholic? Could there be a hint of rebellion here? Or if not, what inspired you to write this story?
 
GS: No I’m not Catholic—not raised Catholic, but the paradoxes of rigid doctrine give one many things to think about. Resurrection is but one example. Right now I'm working on the story of a priest who, as an act of kindness, adopts a foul-mouth talking parrot. What are the implications of that?
 
TN: Fuck Knows… but, you know it’s interesting that this is a post-apocalyptic story but it’s not dystopian, which is good since dystopia is so common in stories these days. But it’s not exactly utopian either. 
 
BR: It’s not? That island life sounds pretty good to me.
 
TN: A utopia is typically more planned, and the story doesn’t focus on that. If it’s not dystopian or utopian, what would you call it, Giles?
 
GS: Plausible.
 
Laughter
 
BR: Yeah… Well I think I’m having a paradise fantasy.
 
TN: Maybe you should keep that to yourself. Giles, I know you’ve written quite a few short stories. Would you say that the sort of humorous irreverence in this story is a common attribute of your work? 
 
GS: Well I don't mind sticking my finger in religion's eye when warranted. Conventions should be challenged, and viewing them from outside our presumed reality is both an effective and a polite way of doing this—in other words, through fiction.
 
BR: Yeah
 
TN: Yeah, yeah. It’s probably good for the world to have its serious institutions undermined like you do in this story. But on the Strange Recital, saving the world is not really our mission. Is it yours?
 
GS: To save the world is maybe too ambitious. I just want to make my readers think.  
 
BR: Well I keep coming back to Father Flanagan. I’m particularly interested in what happened to his psychology outside the frame of the story… once he started having a lot of sex with a variety of women, year after year, he had to have undergone a fundamental transformation in his belief system. He might have become a real libertine! 
 
GS: He was outnumbered by the sisters and compelled to do an unfamiliar duty, so he acquiesced. Eventually he saw it was the moral choice; to take on a different kind of fatherhood.   We don't know what kind of parent he turned out to be. He probably set a good example but stayed emotionally distant from his offspring.   
 
BR: Yeah, that makes sense. You know I hope all those religious folks in your story woke up and got some gratitude about the fact that they could still have a relationship with the divine as they defined it, and also experience the pleasures of the body. 
 
TN: Brent seems to have a one-track mind today Giles. Yeah… What about your vision of a nuclear holocaust wiping out the population… do you think that’s the track we’re on? Are we doomed?
 
GS: Having grown up in the Cold War era, I think we were amazingly lucky. Between two major superpowers, mutually assured destruction actually worked as a deterrent. Today, with more and smaller countries arming, there are more ways for things to go wrong. Yet the biggest risks may not be nukes but things like cyberwar, environmental collapse, pandemics, politics etc.
 
TN: Yeah, yeah… and all those old, obsolete weapons. 
 
BR: Yeah
 
TN: Anyway, does your story imply that there might be an endless repeating cycle of the death and resurrection of human civilization—it’s happened before, it will happen again?
 
GS: Depends on the catastrophe. Unless the Earth is struck by a humungous asteroid or something, it's hard to imagine everybody dying right away. There should be isolated pockets of survivors to eventually repopulate the planet, as in this story.  A new society is born and we are witnesses.  The chanting and the drums are not the end but a beginning. Even a new religion, it appears, has started to assert itself.  
 
BR: Yeah well… do we want that? That’s all we have time for. Giles, thanks for contributing your story to The Strange Recital.
 
TN: And for coming back to our studio for this abuse.
 
GS: ... And to you for curating The Strange Recital. It's an honor to participate.
v
BR: Drums and dancing around a fire… I’m ready to go there right now.
 
TN: A world without podcasts? Then we couldn’t have all this fun. 
 
BR: Yeah…

Music on this episode:

'Lullaby', sung by Suo Gan from the album Christmas Carols And Songs by IKOS David Clifton.

License CC BY-NC-ND  3.0

Anlo-Afiadenyigba village performance #3 by Bruce Miller

License CC BY-NC-ND 3.0

Dulcissime from Carmina Burana by Carl Orff, performed by MIT Concert Choir

License CC BY-NC 3.0 US

 

Sound Effects used under license:

Safety announcement inside plane by Arnaud Coutancier

License CC BY-NC 3.0

Prayer by mdaylan

License CC BY 3.0

Prayer St. Francis by shadoWisp

License CC BY 3.0

THE STRANGE RECITAL

Episode 20102

TSR_EGG_LOGO_W on B